Winner of the 2010 Sundance Film Festival Grand Jury Prize for a Documentary, Restrepo chronicles the deployment of a U.S. platoon of courageous American soldiers in Afghanistan's Korengal Valley, considered to be one of the most dangerous postings in the U.S. military. From May 2007 to July 2008, Tim Hetherington and Sebastian Junger dug in with the men of the Second Platoon, Battle Company of the 503rd Infantry Regiment (airborne), stationed at Restrepo, sharing duties and shooting more than 150 hours of combat, frustration, routine, jokes, terror and bravery during daily life at the outpost. Hetherington and Junger, have made a film unlike any other about men in harm’s way. We see their courage. We experience their frustrations. We share their bonding. We hear the music they listen to, and we see the snapshots of their kids that they pass around. It is something that audiences have never before experienced. As they fight the Taliban, these 15 men win our hearts and minds in a way no fictional film can.
War
Sebastian Junger
http://restrepothemovie.com/
Winner of the 2010 Sundance Film Festival Grand Jury Prize for a Documentary, Restrepo chronicles the deployment of a U.S. platoon of courageous American soldiers in Afghanistan's Korengal Valley, considered to be one of the most dangerous postings in the U.S. military. From May 2007 to July 2008, Tim Hetherington and Sebastian Junger dug in with the men of the Second Platoon, Battle Company of the 503rd Infantry Regiment (airborne), stationed at Restrepo, sharing duties and shooting more than 150 hours of combat, frustration, routine, jokes, terror and bravery during daily life at the outpost. Hetherington and Junger, have made a film unlike any other about men in harm’s way. We see their courage. We experience their frustrations. We share their bonding. We hear the music they listen to, and we see the snapshots of their kids that they pass around. It is something that audiences have never before experienced. As they fight the Taliban, these 15 men win our hearts and minds in a way no fictional film can.
