Nobody noticed when Joyce Vincent died in her bedsit above a shopping mall in North London in 2003. Her body wasn’t discovered for three years, surrounded by Christmas presents she had been wrapping, and with the TV still on. Newspaper reports offered few details of her life - not even a photograph. Who was she? And how could this happen to someone in our day and age- the so-called age of communication? For her film Dreams of a Life, filmmaker Carol Morley set out to find out. Joyce may have died in tragic isolation, but Morley was not going to let her be forgotten. She placed adverts in newspapers, on the Internet, and on the side of a London taxi. What she finds out is extraordinary. A range of people that once knew Joyce help to piece together a portrait of the woman that became so forgotten. “She was very sweet, beautiful looking, a bit of a mystery. We weren’t too sure where she came from. It’s almost like she was a ghost, even then.” Dreams of a Life becomes as much about the people who remember her as it is about Joyce herself. Interweaving interviews with imagined scenes from Joyce’s life, Dreams of a Life is an imaginative, powerful, multilayered quest, and is not only a portrait of Joyce but a portrait of London in the eighties - the City, music, and race. It is a film about urban lives, contemporary life, and how, like Joyce, we are all different things to different people. It is about how little we may ever know each other, but nevertheless, how much we can love.